Indian English Drama: A Comprehensive Overview

Hello, I am Himanshi Parmar. This blog I have written as a part of teaching. The blog is written to provide study materials to my students. In this blog, i am going to discuss 'Indian English Drama: A Comprehensive Overview' in details.

 Introduction

Indian English drama, though initially overshadowed by other literary forms like poetry and prose, has carved a niche for itself through its unique blend of Western dramatic structures and Indian themes. The genre has evolved significantly from its early roots in the 19th century to its contemporary manifestations, reflecting the socio-political changes and cultural complexities of India. This comprehensive overview explores the origin, development, major dramatists, significant works, and recurring themes of Indian English drama.

Origin and Early Development

The journey of Indian English drama began in the 19th century, a period marked by the introduction of English education in India. This era saw the establishment of English-language theaters in major cities such as Calcutta (now Kolkata), Bombay (now Mumbai), and Madras (now Chennai). Despite the initial challenges of language barriers and the perceived artificiality of dialogue, Indian dramatists began to experiment with English as a medium for expressing Indian narratives.

One of the earliest recorded plays is Krishna Mohan Banerji’s "The Persecuted" (1831), which tackled the conflict between orthodox Hindu customs and the emerging Western ideas introduced by British colonizers. This play set the stage for subsequent works that would address similar cultural and social conflicts.

 Pre-Independence Era

During the pre-independence period, Indian English drama saw contributions from several notable playwrights who utilised the medium to address various social, cultural, and political issues.

1. Rabindranath Tagore

Rabindranath Tagore, a Nobel laureate in Literature, was a multifaceted genius who significantly contributed to Indian English drama with his poetic and symbolic plays. His major works include "Chitra" (1892), a lyrical drama from the Mahabharata about the warrior princess Chitrangada who transforms herself to win Arjuna's love, exploring themes of identity and societal roles; "The Post Office" (1912), an allegory about a sick boy named Amal who dreams of freedom and the world outside, addressing themes of liberation and the human spirit; and "Red Oleanders" (1925), a symbolic critique of industrialization and dehumanisation, where the protagonist Nandini leads a resistance against exploitation. Tagore's plays skillfully blend traditional Indian elements with modernist themes, delving into philosophical questions about identity, freedom, and human nature, and his use of rich poetic language and symbolism has made his works enduring masterpieces in Indian literature.

2. Sri Aurobindo

Sri Aurobindo, a philosopher, poet, and nationalist, brought a unique blend of Indian and Western influences to Indian English drama, drawing heavily from romantic and Elizabethan traditions. His major works include "Perseus the Deliverer" (1907), a retelling of the Greek myth of Perseus infused with philosophical and spiritual themes of heroism, destiny, and the triumph of good over evil, characterised by its lyrical quality and rich imagery; and "Vasavadutta," which showcases his romantic style and deep exploration of spiritual and philosophical questions. Aurobindo's plays are noted for their lyrical language, romantic elements, and profound exploration of spiritual themes, making significant contributions to Indian literature. His ability to intertwine Indian cultural elements with Western literary traditions has left a lasting impact on Indian drama, addressing cultural, social, and political issues through a deeply philosophical lens.

3. T. P. Kailasam

   

T. P. Kailasam, often hailed as the "Father of Modern Kannada Drama," made significant contributions to Indian English drama with his insightful plays that delve into social issues and human psychology. His major works include "The Purpose" and "Fulfilment," both of which are celebrated for their critical examination of societal norms and the human condition. "The Purpose" (1944) is a poignant play that explores the moral dilemmas and existential struggles faced by its characters, shedding light on the conflict between personal desires and societal expectations. "Fulfilment" (1949), on the other hand, addresses themes of human ambition and the quest for self-actualization, portraying characters who strive to find meaning and satisfaction in their lives. Kailasam's plays are known for their sharp critique of societal hypocrisies and the pressures imposed by rigid social structures. Through his compelling narratives and well-drawn characters, he adeptly highlights the complexities of human emotions and relationships. Kailasam's ability to combine humor with serious social commentary made his works both entertaining and thought-provoking, ensuring his legacy as a pioneering figure in Indian drama. His contributions have left a lasting impact on the landscape of Indian theatre, inspiring subsequent generations of playwrights to tackle social issues with a similar depth and sensitivity.

Other significant contributors during this period include Michel Madhusudan Dutt, A. S. P. Ayyar, Bharati Sarabhai, and J. M. Lobo Prabhu, each bringing their unique perspectives to the genre. Their works ranged from social reform and political satire to cultural critique and philosophical inquiry.

Post-Independence Era

The post-independence era marked a period of expansion and international recognition for Indian English drama. Playwrights began to gain acclaim not only within India but also on the global stage.

1. Asif Currimbhoy

 

Asif Currimbhoy’s diverse body of work includes plays like "Goa" and "Refugee," which address political conflict, social issues, and cultural displacement. His plays are known for their realistic portrayal of contemporary Indian society and their critical perspective on political events.

2. Pratap Sharma and Gurucharan Das

 

Pratap Sharma and Gurucharan Das both playwrights achieved success with their works being staged in England and America. Their plays brought Indian themes to a global audience, highlighting the universal relevance of Indian narratives.

 Major Themes

Indian English drama is rich with diverse themes that reflect the multifaceted nature of Indian society. Some of the major themes include:

1. Social and Political Issues

Indian English drama often talks about social and political problems, reflecting India's history and social changes. Many plays criticize colonialism, showing how Indians struggled against British rule. They also focus on social reform movements like fighting caste discrimination and advocating for women's rights. These dramas depict the efforts of people trying to make society fairer and often question the current social system, urging change and improvement.

2. Cultural Conflicts

A common theme in Indian English drama is the clash between traditional Indian values and Western influences. Playwrights explore how individuals and societies deal with the challenges of maintaining their traditions while adapting to modern, Western ways of life. Characters often face dilemmas about identity and belonging as they try to balance old customs with new ideas. These stories highlight the difficulties and opportunities that come with cultural change in a globalised world.

3.Philosophical and Psychological Exploration

Indian English drama is also known for exploring deep philosophical and psychological themes. Many plays delve into the complexities of the human mind, looking at existential questions and moral dilemmas. Characters in these dramas often face profound questions about who they are and the purpose of their lives. The plays use symbolic and poetic language to express these internal struggles, encouraging audiences to think deeply about the bigger questions in life and understand the human condition better.

Major Works

1. "Tughlaq" by Girish Karnad (1964)

"Tughlaq," published in 1964, is a historical play about Sultan Muhammad bin Tughlaq, who ruled in 14th-century India. The story focuses on his bold yet problematic decisions, like moving the capital from Delhi to Daulatabad, which leads to chaos and disappointment. The play's main themes are the clash between idealism and reality, the corruption of power, and political commentary. Even though it is set in medieval India, it also reflects on political disillusionment in post-independence India. Karnad effectively combines historical events with timeless political themes, making "Tughlaq" a significant work in Indian English drama.

2. "Hayavadana" by Girish Karnad (1971)

Published in 1971, "Hayavadana" is a unique play that mixes Indian folklore, mythology, and deep questions about life. The main story is about two friends, Devadatta and Kapila, who magically switch heads, leading to an exploration of identity and human nature. There's also a subplot about Hayavadana, a man with a horse’s head who wants to become fully human. The play discusses themes of identity, completeness, and the conflict between tradition and modernity. "Hayavadana" uses traditional stories to address deep questions about who we are, showing Karnad’s skill in blending complex themes with familiar tales.

 3. "Silence! The Court is in Session" by Vijay Tendulkar (1967)

First staged in 1967, "Silence! The Court is in Session" is a powerful social commentary on the hypocrisies and injustices in Indian society. The play is about a mock trial conducted by amateur actors, where the main character, Miss Leela Benare, is accused of infanticide. Tendulkar uses this trial to reveal societal prejudices, gender discrimination, and moral rigidity. The play's main themes are social justice, individual freedom, and societal hypocrisy. Set in post-independence India, it critiques conservative and patriarchal norms, highlighting the oppression women face. Tendulkar’s sharp portrayal of societal flaws makes this play a significant work in Indian English drama.

 4. "Final Solutions" by Mahesh Dattani (1993)

Published in 1993, "Final Solutions" is a modern play that deals with communal tensions and identity issues in India. The story takes place during a communal riot and follows a Hindu family who shelters two Muslim boys. The play explores themes of religious intolerance, generational conflict, and identity. Set against the backdrop of communal violence in modern India, it critically examines prejudice and mistrust. Dattani’s work is notable for addressing sensitive social issues, making "Final Solutions" an important piece in contemporary Indian English drama.

5. "Evam Indrajit" by Badal Sircar (1963)

First published in 1963, "Evam Indrajit" is an existential play reflecting the disillusionment of the post-independence generation. The story is about Indrajit, a young man struggling to find meaning and purpose in a monotonous and conformist society. The play's themes include existential angst, identity crisis, and societal expectations. Set in newly independent India, the narrative captures the sense of frustration and disappointment experienced by the youth. Sircar’s innovative use of non-traditional theatrical techniques and his focus on psychological depth make "Evam Indrajit" a pioneering work in Indian English drama.

 Conclusion

Indian English drama, despite its relatively late start and initial challenges, has evolved into a dynamic and influential genre. It continues to reflect the socio-political changes, cultural complexities, and diverse voices of India. From its colonial origins to its contemporary expressions, Indian English drama remains a powerful medium for artistic expression and social commentary, bridging the gap between traditional Indian narratives and modern literary forms.